As Violet in Man and Superman
"Margaret Loesser Robinson is a steely Violet"
- David Sheward, Backstage
"A crisp, but graceful character whose brain clearly remains uncorseted, Robinson's well drawn creation is real enough to step off the stage. Her timing is impeccable."
- Alex Cohen, Woman About Town
As Margaret in Margaret Fleming
"Margaret Loesser Robinson was luminous in the title role of Margaret Fleming, James A. Herne's 1890 play... In her committed work as the young, small-town Massachusetts wife and new mother married to the adulterous local mill owner, Robinson rooted Herne's play in its time and mood, thus enabling it to speak to the ages."
- Robert Windeler, Backstage.com
As Anna Christie in New Girl in Town
"Ms. Loesser Robinson has an affecting, bruised defensiveness as the besmirched but hopeful Anna."
- David Rooney, NYTimes
As Euphrania/Philema in The Broken Heart
"Ms. Robinson brings a spark of innocence and welcome warmth to the small role of Euphrania"
- Charles Isherwood, The New York Times
As Mina Murray Harker in Dracula
"The show is blessed with a wonderful supporting cast, most notably Margaret Loesser Robinson as Mina Murray Harker. Ms. Robinson owned the second act... Her transformation from a giddy young lady engaged to be married to the woman with a bond to Dracula was wonderful to watch."
- BroadwayWorld.com
"The outstanding Sofia Jean Gomez and Margaret Loesser Robinson effectively vacillate between proper and feral as the Count sucks the two away from a life that, let's be honest, seems so much less attractive."
- The Denver Post
As Annabella Schmidt in The 39 Steps
"Robinson keeps up the manic pace, whether she's slithering about in stilettos as the doomed agent Annabella Schmidt, enabling Hannay’s escape as a downtrodden farmer's wife or winning his heart as the fair English rose Pamela Edwards. She throws herself into her roles, swinging her hips in an unforgettable exit and collapsing in a seemingly impossible pos from a gunshot."
- The Barnstable Patriot
"Margaret Loesser Robinson's mysterious foreign spy, Annabella Schmidt, jus has to start her exaggerated accent, which seems part Elmer Fudd, part Madeline Kahn in 'Blazing Saddles,' to get a laugh."
- Cape Cod Times
"Margaret Loesser Robinson plays Annabella Schmidt and pulls out all the stops, curves, bells and whistles in her depiction of this damsel in distress...Robinson works her impeccable comedic timing to keep the action, and the laughs, coming."
- Cape Cod Wicked Local
As Margot Wendice in Dial M for Murder
"Robinson gives Grace Kelly a run for her money"
- Jane Holohan, Lancaster New Era
As Catherine in The Foreigner
"...there's meat heiress Catherine Simms, played by the perfectly petulant Margaret Loesser Robinson..."
- Lancaster New Era
"...Robinson showed surprising depth in the pivotal role of Catherine, David's perpetually wining, high-strung debutante fiancee..."
- Lancaster Sunday News
As Guenevere in Camelot
"...Margaret Loesser Robinson, who plays Arthur's wife, Guenevere, adds romantic charm and a sweet soprano voice to their story."
- Tom McClary, Centre Daily Times
As Eliza in Pygmalion
"I think it is not an exaggeration to say that a star is born on NYSTI's stage in Robinson’s Eliza. Robinson invests Eliza's transformation with beautifully directed energy. She masters the different dialects with subtlety and imbues the characterizations with confidence and compassion as Eliza transforms from a flower girl into a flower of society and, finally, into a consort battleship."
- Metroland
As Roebush in The Snow Queen
"Worthy of star-billing, and an intrinsic component of cover-to-cover excellence, are... Rosebush (gorgeous Margaret Robinson)..."
- Ann Sinnott, London
As Madeline in Inheritors
"Margaret Loesser Robinson brought to Madeline a lovely earnestness and vulnerability. She is a charismatic performer."
- Glenda Frank, NY Theatre Wire
"Icing on the cake, so to speak, is that Metropolitan's production is splendid, featuring what may be the strongest cast ever to trod the boards of this sturdy, intimate East Village theatre. Anchoring the piece [is] Margaret Loesser Robinson as the heroic-minded Madeline."